YOU Are YOU. Ignore the Comic Book Bullying

The world HAS changed since the 1970s and in many way not for the better.

Graffiti artists who faced arrest are now Street Artists and some making a LOT of money from spray paint cans and stencils.  No real art. If you ever visit Bristol during its Upfest you will see some great artists, no stencils, drawing and painting incredible pieces free-hand.

Robert Crumb was the hero of the Underground Comix movement in the US, UK and other countries. He pushed boundaries and offended a lot of sensibilities. I do not like all his work but some is incredible.  Apparently, according to the ‘nice guys’ who want  to reboot comics history and get rid of anyone far more talented than themselves and their Beano/Dandy comics strips (yeah, real hard core to these people), Crumb is persona non grata (not welcome, to be side-lined and then ignored) in comics.   Yes, they are jumping on the spineless Social Justice Warrior band wagon and be righteous feminists (though I can tell you what these ‘nice guys’ have said about women behind their backs as well as “ethnics”).

As I have mentioned before, people appear to crawl from under stones, wipe the slime off of themselves and then tell tales of the “disgusting human being” that is Robert Crumb -oh, and any woman Crumb has been with at certain times in his life.  These, once you check them, turn out to be half truths or outright fabrications by people with a grudge or just pure jealousy.

Crumb ‘supports’ the use of drugs, sexist language and the degradation of all women. Women are there to be quiet and get used for sex then kicked out of the door.  Is it any wonder with this type of constant online attack that Crumb keeps to himself?

But how does this affect the ‘nice guys|’ and their work?  Okay, most of it is art for Dandy that has not progressed in style, in fact it has stagnated, since the 1980s. However, they are ‘friends’ with artists that draw loosely clad women, some other rather anti-SJW work and above all else, creators who openly promote the use of drugs -not occasionally but in every strip they draw.

Now before anyone starts shouting out any claims let me get things straight. I knew policemen involved in Operation Julie in the mid 1970s. Far from the doped out idiots claiming this was aimed at people “innocently wanting a bit of Puff (cannabis)” it was in fact aimed at LSD manufacturing rings in the UK.  When these creators start spouting their rhetoric about this all being aimed at pot smokers the sounds they make come from their asses.

“Dope don’t do you any harm”.  Yes. Yes it does if you are a “recreational user” smoking it 2-3 times a day AND consuming alcohol at the same time -that part of the scientific research they often quote they leave out.

I have seen the medical benefits of marijuana and even helped administer it once when it was totally illegal in the 1970s.  I have seen someone going purple in the face, uncontrollable coughing, rasping breathing and the crackling sounds coming from the chest I remember vividly. Within two minutes of smoking a joint the person was able to breath again.  In his case his own doctor had recommended cannabis but could not prescribe or supply it/  I have seen other examples.

So, I am not backing “The Man”…that they still use that term…

There are no DEA agents on covert missions backed up by black ops and all sorts of super tech gear. No war planes or drone strikes. The UK has never had that so to weave this fantasy into some story about “a few innocent lads who just want to chill out” is embarrassing. Time after time after time and it makes those involved in the comics look like jokes and it is a genre of comic that really is not going to be remembered for much.  hose behind these comics show talent but will not venture away and try something new.  The question is whether this is through choice or whether it is because they have been told that they have to stick with doing this -oh, there are people who act like little groups of bullies and tell you what you must do and if the artist has no backbone he’ll do what he’s told for an easy life and ‘acceptance’ …until he steps out of line.

Amongst certain UK creators there is a culture of heavy drinking (attend any UK comic convention still going) and smoking dope (some  while being outspoken against it).  I have seen this first hand since the 1980s and many others can cite the same sort of thing. On the various incarnations of online CBO I have reported on drunken creators and their behaviour, including swearing, throwing things across rooms where they are supposed to be on panels and hitting people and even hotel staff complaining about their intoxicated behaviour.  This is/was a laugh to the ‘nice guys’ who were hanging on to coat tails or part of the group.

Bland, silly and outdated fantasy drug culture material is acceptable -anyone read Bryan Talbot’s The Naked Artist ? – but Crumb and other creators not conforming to what these ‘nice guys’ like, because then they can say they support “talent” and British comics (and their own inane work looks better then).

This is the sort of thing you can expect if you become involved with  UK comics.  It is the reason that many talented UK Silver and Bronze ages creators avoid events and any online group.

No one tells you whose work you should read or look at or even like.  No one can tell you what you must draw and that you must never develop beyond what they like.

Do not join the long line of could-have-been creators or event organisers who give in to bullying from a small group of people who lack real talent for anything but that.

You are you.  

Fuck them.

I Thought It Was A Joke At First…

Someone contacted me via one of my groups and asked…seriously, after telling me how they were “a regular follower of CBO”:

“Why won’t you review comics and books any more?”

I do. As I pointed out to this person, I cannot magic up books. People have to send them to me. Small press, Indie comics, graphic novels whatever:I receive them they get reviewed.

Oh, I did get another “If you want to buy a review copy of my comic” messages. My response was to tell the person to FRO. I DO NOT -and NO ONE– buy review books. Seriously, are people getting that dumb that they have no concept of sending review books?

People know where I am but I don’t know where they are or what they are publishing.

Sheeeeeeesh

Cinebook the 9th Art Newsletter 136 – April 2019

Dear Reader,
This month we’re all about exalted leaders – of the villain persuasion. Some might even pass as super …
Starting with Lucky Luke‘s newest opponent and temporary Dalton ally: Dunkle the Prophet, a man with breathtaking megalomania and, unfortunately, a real gift for recruiting people to his cause. Especially the weak minded – and who has a weaker mind than Averell Dalton? Witness now the inevitable chaos!
Next, in Mermaid Project, we follow Romane’s training with her new and rather extraordinary partner, and their mission to infiltrate a suspicious corporation’s headquarters. What they will discover in there definitely has a supervillainous vibe to it …
And then there’s the ultimate example in terms of supervillain, the final word in the matter – or at least the final letter: Z! In this direct follow-up to The Clockmaker and the Comet, Spirou and Fantasio may have to time-travel a bit more and deal with a terrifying prospect: in the future, the Z rises again!
April with Cinebook: yep, definitely super!


Lucky Luke 73 
Morris & Nordmann
The Prophet

Returned to their penitentiary by Lucky Luke for the umpteenth time, the Daltons meet a troubling character: Dunkle, a self-proclaimed prophet fond of fiery speeches. His continual preaching eventually converts the ever hapless Averell. Soon, all five escape together … Read more

Mermaid Project 2 
Simon & Leo & Jamar
Episode 2

Now attached to French intelligence, Romane is training hard with agent El Malik and Delph, a genetically modified Dolphin with extraordinary mental abilities. The goal of their coming mission: to infiltrate the premises of Algapower, the company at the heart of their investigation … Read more

Spirou & Fantasio 16 
Janry & Tome
The Z Rises Again

Back in the present after their adventures through time, Spirou and Fantasio try to pick up their life where they left it. But the magazine refuses to publish Fantasio’s account of their extraordinary journey, and he falls into depression. Until, that is, the bizarre and annoying Snuffeller reappears… Read more

Distant Worlds 3
Episode 3

North-American readers, to locate a comic book shop near you that stocks or can order these titles and many more, us this handy Read more  

Or, if you’re a retailer yourself, please go to: Read more

May 11 & 12, 2019: Cinebook will exhibit at the Toronto Comic Arts Festival, Toronto Reference Library, 789 Yonge Street, Toronto, Canada
http://www2.torontocomics.com/

Singapore, Indian and other Comic experiences

I have mentioned before, on CBO and the Black Tower Face Book page, my dealings with publishers in India and the amount of work and effort I put into projects only to find that the publisher was not seriously interested in anything but wasting my time.

That experience meant that I had a base core of self created heroes and villains from India and the heroes appeared in Return of the Gods: Twilight of the Super Heroes and will appear in The Green Skies again.

Another rather negative experience came in dealing with ‘comic creators’ in Singapore. I learnt fairly early on that comics were looked on as childish and that, despite all the big talk on comic forums, no one was really producing any actual local comics to offer an alternative to mainstream Manga on sale there. A Singaporean friend told me: “No one in Singapore is going to do all the hard work it takes to produce a comic -its just seen as a hobby with a few fan clubs of sorts scattered around” -this friend had been a member of one of those comic clubs.

Me, I’m dumb. What I did was go on the main forum and offer creators the opportunity to produce 3-5 page strips for inclusion in a Singapore Comic Creators showcase book. The deadline was six months from the announcement.  One after another came the excuses that “this is a lot of work to do in six months” and “We’d need to come up with a concept, story and then go through the process of drawing 3-5 pages!”

It hit me that these people had no idea about how to put a comic strip together let alone a whole comic.  But I’m a persistent old sod. I offered to write the scripts so that all they had to concentrate on was the art….”We can’t just churn it out like a Honkers sweat-shop” said one. Now I had seen the term “Honkers” used a lot and found out that it was a very derogatory term used to describe citizens of Hong Kong.  I raised this matter as it did not exactly sit well -especially as there were two Hong Kongers that were group members.  Ignored. 

So I tried pushing the comic idea further. Nine months from then deadline? Not enough time. An artist should be able to do 3-5 pages in a week at the absolute minimum. One day I was posting on the forum and saw that a year had passed since the original announcement. I gave up.

That was a pity as Singapore is a lovely setting for a comic or comic strip but by this time I had developed my own characters for Singapore who appeared in…guess what? Return of the Gods: Twilight of the Super Heroes and will also appear in The Green Skies.

Indian and Singapore comic forums are for fans who like to talk but do not draw or put comics together. I learnt that the hard way.

Hong Kong produces its own comics through methods that Westerners would get very confused over but they still produce them -I wanted to find out more about Hong Kong characters but would never dare try to compete with HK comics!

Taiwan tends to concentrate on Manga and some of the people at companies can be quite demanding…and quite rude!

The idea that “I only read British comics” or “I read only Marvel/DC” is a very limiting one. There are European comics -Franco-Belgian, German, Dutch as well as those from central and Eastern Europe (that I really would like to see more of), Australia -it goes on. I love comics (I’ve wasted my life on them!) and seeing the different formats and characters even if I do not understand the language: comics are a visual medium and if done correctly you should be able to follow what is going on.

I am probably wasting my time here but if YOU or a friend produces home grown comics send a copy to me along with a few details and I’ll mention it on CBO. Either a small press or pro style comic -it does not matter just let people see what you are doing and you might even get some sales out of the publicity.

If you are in the UK or US  you are not excluded so don’t feel left out.